The Legend of Gravity Hill Just outside a small town in northern New Jersey lies a road with a thousand stories. I myself have visited this road and have been told the old tale that haunts it. Legend has it that one night, back in 1957, a young woman who lived on the road was waiting for her boyfriend to pick her up for a school dance. She wasn't waiting happily, though, because earlier in the evening her mother, who highly disapproved of the young man, had decided to forbid the daughter to go with him. Upon his arrival, the boy was greeted by the angry mother, and an argument ensued. He stormed away from the house, hopped in his car, and sped off down the road. While the mother and daughter continued bickering, they heard a loud explosion in the distance. In a panic, the girl flew out her front door and ran along the road to where it started downhill. At the bottom she could see her boyfriend's car, slammed up against a telephone pole, with flames coming from the engine. Crying hysterically, she ran down the hill and to the car, frantic to free her boyfriend. She managed to pull the driver's door open and could see that the young man was still conscious, though he seemed dazed and there was blood on his head. What she didn't see was the slow, steady stream of gas that flowed from beneath the car. She tried to pull the young man up and out of the seat, but he was much larger than she, and she lost her footing and instead fell against him, at that same moment, the fire reached the gas tank and it exploded. The mother, who had followed her daughter down the hill, could only look on in horror as she saw the two young people on the front seat of car, clinging to each other like lovers, engulfed in flames. Now they say that on some evenings, if you stop at the bottom of the hill and turn your engine off, you can hear, faintly, what seem to be screams. And they say that if you park your car in such a way that it perfectly matches the position the young man's car was in when it came to rest, and if you put your car in neutral, it will ever so slowly reverse itself and then slowly, steadily, inevitably make its way backward, up the hill and into the driveway of the house where the girl once lived - as if the girl and the injured young man have climbed into your car with you and the girl has taken the steering wheel from you and is attempting, futilely, to bring her boyfriend back to the house before the fatal accident. This is the legend that has grown up around what some call "Gravity Hill," and into this legend, just a few years ago, drove David Urbansky. David
was on Route 216 north, where traffic was heavy and the going slow. He knew that if he
took Exit 28, it would let him off on Brooks Curve where the traffic would be much
lighter. Though he would never normally take that road, he knew he would be home faster
than he would if he waited in the mass of cars that were slowly making their way down the
highway. So when Exit 28 came, he took it. David was a little confused. The girl hadn't even asked if he was hurt or okay. But she seemed nice enough, friendly and hospitable. "Yeah, I guess so," he replied. "I'll never get my car out now anyway, and I'd like to use your phone if that's okay with you." "I'm sure you will find what you need
up at the house" Angela replied, "Let's get going. " As David climbed the hill side-by-side with Angela, he realized she wasn't wearing a coat, though she didn't seem the slightest bit cold. She wore only a white blouse and an ankle-length skirt with bobby socks. Her saddle shoes looked as if their soles would be slick in the snow, yet she walked up the hill with no trouble. "Were you on your way somewhere? David asked as they got to the top of the hill "Well here we are," the girl said as she opened the door to the modest little home. "Sit down there," she said, pointing to the sofa that stood in the corner of the living room. "Would you like to play some records or something?" "All I could really use is a phone right now," David said. Angela just flashed him a smile and walked to a
cabinet on which a turntable sat. "Angela!" David shouted over the music. "I really need for you to..." The music suddenly came to a halt, though no one had approached the turntable. He lowered his voice as he saw that the girl had suddenly stopped and was staring anxiously at the stairs. "What's the matter?" he asked.
"She's coming," the girl said. "We have to go now." She walked to David and grabbed his arm. "Stop. What are you doing?" David demanded, pulling his arm back. "Who's coming?" David stared at the woman for a moment, then said, " She ran away. I guess she thought you would be angry with her for making so much noise. Anyway, I just wanted to use your phone, but it's dead." "Sorry to bother you. If Angela had told me her grandmother was upstairs I would have..." David walked to where the woman was pointing, took the frame in his hands, and looked at the picture. "What about it?" He asked.
"Do you recognize the two people in the
photo?" David looked closer. "That's Angela on the right, and I guess the woman on the left is a relative. She's very beautiful." David's mind went numb as he tried to put sense into the woman's words, the portrait slipping from his hands to shatter on the pine wood floor.
"What are you talking about?" David nodded His screams echoed
through the house "This is some kind of a trick," he said, turning to the woman
who said she was Angela's mother. "And you're a crazy old woman!" He then half
ran, half stumbled to the door, then through it and down the outside steps.
The old woman watched from a window as he ran out into the road. "Why was I was chosen to have this unwanted gift of vision?" she wondered aloud. Then she waked to the front door and closed it. David ran up to rear of the vehicle just before they closed the doors and noticed a technician kneeling by the stretcher's side. "This is the toughest part of the job," David heard him say, then saw the man flip a sheet over the face of the boy who lay still on the stretcher - the face of David himself. "It's time to go
now," she said. ©2001 Michael Duke |
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